Body in Greek Art 17 What are the characteristic features of the archaic figure? 600 BCE; marble • One of earliest examples of life-size statuary in Greece • Kouros (s), kouroi (pl)= an archaic Greek statue of a young man, standing and often naked A kouros is a statue of a standing nude youth that did not represent any one individual youth but the idea of youth. In Ancient Greek kouros means "youth, boy, especially of noble rank". It was made of marble and depicted a detailed and more realistic portrayal of the human body and form. Classical Art and Architecture - History+ Kouros of Volomandra Dated 550 B.C. 480 BCE) The transitional figure between late Archaic and early Classical art. Statue of an ephebe, perhaps an athlete. Category:Kritios Boy. In fact, you may not notice any differences in that one glance. Kritios Boy, 480 BCE, Early Classical, 34 inches high, Acropolis Museum Dying Warrior , Temple of Aphaia, West, 500–490 BCE (vs. East Pediment, 490–480 BCE), Glyptothek, Munich Polykleitos, Doryphoros (Spear Bearer) , Roman copy of a Greek original from 440 BCE, High Classical, Archaeological Museum of Naples Classical Period (c. 480 – 323 BCE) Where the Archaic Period is often described as being experimental in its portrayal of realism in the human form, the Classical period was a considerable advancement forward, depicting a naturalism in the human form. Answer (1 of 2): The Doryphoros is at the end of a 200—year tradition of Greek sculpture that probably was influenced by Egyptian sculptures. Plato's cave: Ideal reality vs. apparent reality. 5-42) may not seem very great in a single glance. Kroisos vs Doryphoros - 556 Words | 123 Help Me which of these is not a cycladic sculpture? Both sculpture represent an idealized but realistic from of beauty, with it smooth muscular body and symmetrical form. Both Kroisos, from 530 BCE and the Kritios Boy, from 480 BCE were both nude and had some form of muscular features sculpted onto them. Comparing Kroisos And Kritios Boy - 564 Words | Internet ... The emotion in the archaic figure is nothing more than the smile. Ap Art History Excellence and honour remained important associated values. As can be seen in the Kritios Boy, c. 480 B.C.E Kritian Boy, ca. Test: ART HISTORY: Ancient Greek Art (Geometric through ... Kritios Boy early to high classical styles -natural stages effects -heightened reality -new balance distribution of weight -emphasis is drapery 1. has folds 2. moving toward sheer look -sense of motion -new significance of human thought The Kritios Boy was also a Kouros sculpture, dated around 480 BCE. 480 BCE Kritios Boy | Museum of Classical Archaeology Databases Flashcards - Art History - Greek Up until this time, the human body depictions in art lacked actuality to anatomy. Most Classical bronzes have not View E2D27712-6A04-48F3-B28D-28471A65F339.png from ART HISTOR 258 at Queens College, CUNY. Used in Archaic Greece as both a dedication to the gods in sanctuaries and as a grave monument, the standard kouros stood with his left foot forward, arms at his sides, looking straight ahead. 5-11) and a classical statue such as Doryphoros (fig. Kroisos vs Doryphoros. 5-11) and a classical statue such as Doryphoros (fig. Madonna and Child Enthroned with Saints, Raphael, c. 1505 (left) Holy Family with St. Francis, Rubens, 1630s (right) As Susan Woodford explains in her Looking at Pictures, these two images exemplify the distinction made by Wolfflin between the closed form-typical of Renaissance works such as that of Raphael-and the open form-typical of Baroque works such as that of Rubens. Although the influence of many nations can be discerned in particular elements of these figures, the first appearance of such monumental stone figures seems to coincide with the reopening of Greek trade with Egypt (c. 672 bc).The kouros remained a popular form of sculpture until about 460 bc. Define contrapposto: Charioteer from Delphi: define lost-wax bronze by Dr. Steven Zucker and Dr. Beth Harris. 3), probably during excavations for the villa’s foundations between 1621 and 1623. New York Kouros, marble, Archaic (DATE: c. 600 BCE) The statues were discovered by Stefano Mariottini in the Mediterranean Sea just off the coast of Riace Marina, Italy, on August 16, 1972. One of the most celebrated pieces in the show is the “Kritios Boy,” the first surviving sculpture in Greek art to break away from the frontal rigidity of the archaic kouros to introduce a realistic depiction of the body’s shifting weight and torsion. Acropolis, Athens. As any normal comparison, both pieces have similarities that are shared and differences that make them unique. Riace Warriors. Bronze Statue of Zeus (or Poseidon) c. 460 BC Like the Kritios Boy the torso, while highly detailed and accurate, is completely unresponsive to movement. Satisfactory Essays. Geometric amphora, terracotta, Geometric style. Missing arms from elbows, left foot and ankle, right leg from below knee, inserted eyes. An erroneous history is often cited: see Hurwit 1989.) An AP History teacher’s video on Archaic sculpture, including Marble Statue of a Kouros, Anavysos Kouros, Peplos Kore, and Kritios Boy. This face is one of deep contemplation or of something even simpler. Kritios Boy. Kritios Boy (c. 480 BC) by Kritios; Critius, CC BY-SA 2.5, via Wikimedia Commons . Atti del Korai. The Mask of ‘Agamemnon’. The Κριτιος Κουρος, (or Kritios Kouros in Greek, Kouros meaning boy) demonstrates the shift between the Late Archaic and Early Classical periods in Greece. However, the Kroisos has a stiff posture and is realistic while the Kritios Boy is more naturalistic and shows the first form of contrapposto. Although Kouroi have been found in many ancient Greek territories, they were especially prominent in … Essay Sample Check Writing Quality. The Kritios boy., Kritios sculptor, Post 480 BC, From the collection of: Acropolis Museum This statue was carved from marble and is credited as a breakthrough in the primitive arts. Kritios Boy. Open Document. The first element of realism that is blatantly obvious is the body structure and design, it looks like a typical human body. Gold, height approximately 12″ (35 centimeters). The muscular and skeletal structure are depicted with unforced life-like accuracy, with the rib cage naturally expanded as if in the act of breathing, with a relaxed attitude and hips which are distinctly narrower. This figure, a kouros (youth) type, is a transitional piece that falls somewhere between the Greek Archaic and Early Classical Periods. In addition, whilst the kouroi of the Archaic period have a distinct smile, the Kritios Boy has a more austere expression, and his lips are rendered more accurately. In contrast to Khafre Enthroned, The Kritios Boy was created for a public audience. 5-42) may not seem very great in a single glance. All of the Kouros (male) and Kore (female) statues represent state sponsored subjects or are designed as decorations of religious buildings, or as immortal reminders of the virtues of a deceased. Museum of Classical Archaeology Databases The Kritios Boy is the best surviving example of the transitional phase of Greek sculpture between the late Archaic style and the early Classical. Style: Standard pose, body getting more realistic but not quite there. Unlike the Kroisos, the Kritios Boy does not have the archaic smile and instead is emotionless and his eyes are carved out which could mean that they were filled with something like gems. The classical statue on the other hand does not have any facial expressions but has open eyes and no smile. The statue is made of marble and is considerably smaller than life-size at 1.17. c. 410-400 BCE. Kritios Boy (left) is the earliest known example of contrapposto, a relaxed and natural stance. Kritios is the name of an Archaic and Early Classical Greek sculptor. In fact, you may not notice any differences in that one glance. Kroisos vs Doryphoros. -Symmetry completely avoided. Myrrhinous Kouros (BC. 4 2.13 New York Kouros, c. 600 bce. The Kritios Boy 480 B.C. This can be important when you look at each figure in person. The sculpture still pays close attention to symmetry in the face and torso, however, it still depicts elements of realism as it introduces us to the concept of “contrapposto”. The classical period is thought to have begun with the sculpture known as “The Kritios Boy” in about 480 BC. A kouros (Ancient Greek: κοῦρος, pronounced [kûːros], plural kouroi) is the modern term given to free-standing ancient Greek sculptures that first appear in the Archaic period in Greece and represent nude male youths. In Ancient Greek kouros means "youth, boy, especially of noble rank". •Flesh would have been painted brown or red. Is a Kourous, represents the perfected human figure-No archaic smile, no headpiece-Contrapposto-weight shift-Buried after the Persians destroyed the Acropolis what might have influenced this change was the Greece's win over Persia at Marathon. Kouori were sculptures of athletic young men … WAR. Contrapposto was a Greek classical invention, first seen in a freestanding statue called the Kritios Boy (c. 480 b.c.e.). Quotation. Kritios Boy. The Kritios Boy is the best surviving example of the transitional phase of Greek sculpture between the late Archaic style and the early Classical. Gone is the formulaic anatomy and stiffness of the kouros pose. All archaic figures shared the weight on both legs, even though one is advanced; here the weight is taken mainly on... Marble, height 4′ 9′ (1.49 meters). Thread: war, art, progress, aesthetics. Clothed. From the Acropolis, Athens. Kritios Boy, from the Acropolis, Athens, c. 480 B.C.E., 3′ 10″ high (Acropolis Museum, Athens) Archaic: the kouros. The prisoners are us. The person who escapes is blinded by the sun but he eventually adjusts The fact of the kouros being discovered near the sacred gate of the cemetery, a double gate, in Greek “dipylon” (along with other artifacts; two marble lions, a sphinx and fragments of marble pillars), leads experts to assume it was the work of the “Dipylon” sculptor who worked at the cemetery. The Archaic style relied more on geometrical shapes to define the contours of the human body. The stance of this figure is an early example of contrapposto. Discovery The Dying Gaul was found in Rome with another ancient marble sculpture: the Gaul Committing Suicide with His Wife (fig. Kritios Boy; Doryphoros; Kouros; (near) Athens, Greece; ca. Marble - not a roman copy - development of kouros - intro to contrapposto - archaic vs. classical. National Archaeological Museum, Athens. From Attic, ... 2.18 Kritios Boy, c. 490 bce. The Kritios Boy 480 B.C. Kritios Boy was actually sculpted in a period that marked the beginning of a new era from Kouros adopted from the Egyptians and Minoans which was rigid and lifeless to the naturalistic Kritios Boy. Cycladic | Final Neolithic - The Metropolitan Museum of Art The meaning of which is what one or ones of a group : what particular one or ones. — Quartz at Work Chinese Painting: Characteristics, Types, History Kouros (Getty Museum) These tomb paintings were done on silk banners, various lacquered objects, and walls. National Archaeological Museum, Athens. Comparing Kroisos And Kritios Boy 564 Words | 3 Pages. Kritios Boy, Classical. 8. This Kouros, known as an Archiac is comprised of both elements of realism and elements of abstraction. 480 BCE | Athens | Kritios Boy | This kouros statue stands apart from the others found in the Athenian debris. "Maiden" (female). Unlike Archaic kouroi (see cast of the Tenea kouros in the Cast Gallery), which stand rigidly in an unnatural stance derived from Egyptian models, Classical statues have a sense of motion, achieved by a pose known as contrapposto. Following war with the Persians, this highly naturalistic sculpture was buried out of respect. Damaged nose, chin, cheeks and neck. Compare and contrast the Greek Kouros with Egyptian monumental sculpture: Classical Kritios Boy What are the characteristic features of the classical figure? Smarthistory on the Kritios Boy. Summary: Nude standing youth: Material: Marble Original Greek marble sculpture in contrapposto; … Eorly Clossicol Kritios Boy 480 BCE Material — … Credit: Egisto Sani / flickr Kouros 660 BC to 590 BC •1st appearance coincides with trade with Egypt. Doric, Ionic, and Corinthian are different types of Greek columns, though we see this art refined by the Romans when they adopt this type of architecture, an example of cultural diffusion. 580BC. 1 to 6 head to body proportion, etched features. 1/2 to 1/3 life-size (compare, early, the Archaic Nikandre of Naxos to to the 5th-c. Kritios Boy . The Kritios boy belongs to the Late Archaic period and is considered the precursor to the later classical sculptures of athletes. Both were unearthed in the gardens of the Villa Ludovisi (fig. Freestanding or relief? The first difference is that Kritios Boy is smaller than the Kroisos from Anavysos, Greece. c. 1600-1550 BCE. *Notice how his weight shifts to his left leg and how his head turns slightly to his right. View 5.pptx from ARH 131 at University of Miami. Nude or clothed? Kouros vs. Kore : Kouros: Kore: Definition: "Youth" (male). Nude. Name: Metropolitan Kouros. One leg carries the weight while the other is free, allowing for a natural stance in which opposite limbs, hips, and shoulders counterbalance each other. •Represented the ideal male youth. New York Kouros Main Features. The Kritios Boy seemed to herald a new style of human representation, but the resulting figure type was a vehicle for the same values as those embodied in the kouros. Instead of being rigged and stick figure like we now have these full, smooth, beautiful volumes were it looks just like a human standing there instead of a representation of one. It was found in the Acropolis and named after the sculptor thought to have rendered it. Influenced by Egyptian sculpture, the Greeks transformed the frontal poses of pharaohs and other notables into works known as kouros (young men) and kore (young women), life-sized sculptures that were first developed in the Cyclades islands in the 7 th century BCE. Doing this reflex the way human beings move and shift and shows a deeper sense of understanding how the body moves. A small figure might not have the impact that a larger figure might have. Kouros of Volomandra Dated 550 B.C. The statue is made of marble and is considerably smaller than a life-size human, standing at 1.17m. Kritios Boy: Context: From Athens, Acropolis: Findspot: Excavated at Athens, Acropolis. Country: Greece. The Kritios Boy, found in Athens, deep within the foundation of the Acropolis, proves to be a major find defining a change in the times in Ancient Greece. Kouros, Kritios boy, Marble, in-the-round, subtractive process Tomb of Emperor Shih Huang Ti, painted ceramic, additive process Auguste Rodin, Burghers of Calais, bronze, casting, lost-wax method Kara Walker, Insurrection!, Installation Robert Smithson, Siral Jetty, earthwork 500 – 480 BCE • Kritios Boy, ca. The Kritios Boy . Kouros, 600 BCE, Attica, "male youth" grave marker, not meant to be particular person like in Egypt ... mix pigment with melted wax: Kritios Boy, 480BCE, from the Acropolis, may have been made by sculptor Kritios, break form unnatural Egyptian pose, made of marble ... Rome"Caesar of the West" "The great"Iconic (Constantine) vs. The Kritios Boy exhibits a number of other critical innovations that distinguish it from the Archaic Kouroi from the seventh and sixth century BC that paved its way. Kouros sculptures were mainly created during the Archaic era, which was during the years of 700-480 BCE. The difference between an archaic statue such as Kroisos (fig. 540 – 530). New York Kouros. A kouros (Ancient Greek: κοῦρος, pronounced , plural kouroi) is the modern term given to free-standing ancient Greek sculptures that first appear in the Archaic period in Greece and represent nude male youths. •Usually a votive statue (representing a hero or athlete) or a grave marker. Images for Identification: (Note: be able to give the specific dates noted for the New York Kouros, Kritios Boy and the Doryphoros.) Kleobis and Biton Period. c. 480BCE. Diskobolos by Myren 2nd quarter of 5th century BC -Portrays that moment of stillness in the midst of action. 510 - 500 BCE • Capitoline Wolf, from Rome, Italy, ca. Term [image] Definition. Define the transformations that have taken place between the sculpture of the late archaic period and that of the early Classical period. The Κριτιος Κουρος, (or Kritios Kouros in Greek, Kouros meaning boy) demonstrates the shift between the Late Archaic and Early Classical periods in Greece. Doryphoros And The Kritios Boy. Term [image] Definition. Plato's Allegory of the Cave. 1512 Words7 Pages. In the Kritios boy there is a change in how the Greece would of sculpted a young male youth. *Notice the absence of the Archaic smile This Riace Warrior (right), like most Classical Greek statues, was sculpted in bronze. – The men were depicted in … Freestanding. Outline 05. they are different from the Egyptian ones in that they are carved from the original stone block and that the figures are nude. The Kritios Boy exhibits a number of other critical innovations that distinguish it from the Archaic Kouroi that paved its way. Between 580BCE and 460BCE Greek sculpture evolved from Kouros, to Kritios Boy, to Riace Warriors and Doryphoros. Dipylon Master . When the so-called Kritios boy was excavated in the 19th century, some scholars attributed the sculpture to Kritios, thus the name. Grave Stele of Hegeso. The earlier Greek sculptures were of nude young men standing stiff and still but with the left leg somewhat forward. The axis of the body is in a reversed S curve rather than a straight line. The Riace Warriors (also referred to as the Riace bronzes or Bronzi di Riace) are two life-size Greek bronze statues of naked, bearded warriors. (The torso was found in 1865 while excavating the foundations of the museum; the head twenty-three years later between the museum and the Acropolis south wall. Kritios Boy (c. 480 BC); Louis Magne, CC BY-SA 4.0, via Wikimedia Commons. New York Kouros Subject Matter. The Kritios Boy, found in Athens, deep within the foundation of the Acropolis, proves to be a major find defining a change in the times in Ancient Greece. The stiff figure gives no feeling of anything. •All male statues were called kouros and were nude. Kore named Phrasikleia . half • (Standing Youth) Kouros, from Attica, ca. Večina kipov Kouros je visokih med pet in sedem starogrških metrov, le malo jih je zgrajenih v monumentalnem merilu. The images of nude young men are today called GREEK SCULPTURE AND THE FOUR ELEMENTS A Psycho-Historical Investigation J. L. Benson Amherst, Massachusetts: University of Massachusetts Amherst Libraries, 2000 ... Kritios Boy vs. Khafre: Definition. has the archaic smile, way for the sculptor to … Whereas earlier ancient Greek artifacts were often found to be stiff and the weight of the statue bore equal weight on both legs, Kritios Boy was sculpted in the contrapposto stance, with the weight bearing down on a single leg and the other bent in a natural manner. For reduced figures, there seems to have been some kind of shared scale of relative size, ca. kouros, plural kouroi, archaic Greek statue representing a young standing male. Note how these imply a change in relationship of the viewer to the work of art. 480 BCE, Height 46”-We think the artist's name was Kritios. ( 5 votes) Benjamin 8 years ago Are some of the inheirited features of a Kouros due to this statue being used in a similar manner? 480 BCE marks an influential point of stylistic evolution. Kritios Boy Vs Kroisos Essay. Anavysos Kouros, c. 540-515 B.C. Thread: war, art, progress, aesthetics. Kleobis and Biton Dates. Krater vs Amphora Geometric krater, from the Dipylon cemetery, ... kouros & kore – Earliest figures of the Greek Archaic Period – Function is unknown, but because they may have been found among the ruins of temples they are thought to be devotional or funerary statues. 520 BCE • Apulu (Apollo of Veii), from the roof of the Portonaccio temple, Veii, ca. KOUROS AND KORE STATUES Kouros and Kore (the plural form of Kouros is Kouroi, while the plural of Kore is Korai) sculptures were abundantly produced during the Archaic era (700-530 b. C.), continuing a long line of small votive statues made of bronze. Kritios Boy, c. 480 B.C. 600 BCE • Sarcophagus with reclining couple, from the Banditaccia necropolis, Cerveteri, ca. Contrapposto was a Greek classical invention, first seen in a freestanding statue called the Kritios Boy (c. 480 b.c.e.). We are prisoners in Plato's eyes; Plato believes that we are tricked into seeing the shadows and illusions, things that are not very real; The fire is our sun. The Acropolis Museum, Athens: The Classical Period. In addition, whilst the kouroi of the Archaic period have a distinct smile, the Kritios Boy has a more austere expression, and his lips are rendered more accurately. A sculpture from the Archaic period, which was more rigid and with a greater reliance on geometry. Kore, Kouros Increasing Realism, Naturalism Careful study of human anatomy Representation of Life and vigor . Unknown. With this thinking, let us examine the statues of Kroisos and Kritios Boy. This figure, a kouros (youth) type, is a transitional piece that falls somewhere between the Greek Archaic and Early Classical Periods. This figure, a kouros (youth) type, is a transitional piece that falls somewhere between the Greek Archaic and Early Classical Periods. A lecturer from … The Kritios boy was named because it is believed to be the work of Krito, the teacher of Myron, from around 480 BCE. Tufts University’s Perseus Digital Library has a page on the Kritios Boy. Kritios is the name of an Archaic and Early Classical Greek sculptor. When the so-called Kritios boy was excavated in the 19th century, some scholars attributed the sculpture to Kritios, thus the name. (5 votes) Kroisos vs Doryphoros. Marble - Male nude form = perfect - Egyptian influence - Archaic smile, braids, stiff form. Freestanding. 480 BCE).10 Attributed to the sculptor Kritios, this statue also has his foot forward, but the pose is more relaxed. Detail of the Parthenon Frieze from The Greeks documentary. The Kritios or Kritian boy was thus named because it is believed to be the creation of Krito, the teacher of Myron, from around 480 BCE. 2). The torso of the sculpture was first found buried outside the Acropolis in 1866.The head was later found 23 years later. This period coincided with unprecedented threats to Greek culture. It was found in the Acropolis and named after the sculptor thought to have rendered it. three dimensional face and round face with hair forming a back drop behind the head. ART HISTORY 131 Greek: Classical Sculpture Greek: Early Classical Kritios Boy (c. 475 BCE) • site: Acropolis (Athens) • scale: approx. more naturalistic sculptures such as The Kritios Boy (a.k.a. New sculpture: Critius boy vs. the traditional Kouros. From 600 to 480 B.C.E., ancient Greek cemeteries and sanctuaries were filled with marble statues of beautiful young men and women. Work attributed to Kritios and Nesiotes, by comparison with the Tyrannoktonoi group, one of their works known from Roman copies. Gone is the formulaic anatomy and stiffness of the kouros pose. Doric, the first order of Greek columns, has tree key characteristics: no base, 16 to 20 flutes (sharp ridges along the shaft) , and the shaft tapers upward. The Male Statue: Kouroi: Archaic: Kouros from Tenea (Attica), H&F 4.9, c. 570 BC, marble, life-size or just under, 1.52 m., now Munich. Kritios Boy. The … 556 Words. With this thinking, let us examine the statues of Kroisos and Kritios Boy. Kritios Kouros (boy) place: Attica 480 BC early classical more realistic insets of eyes greater realism in anatomy greek understanding of weight shift. The marble sculpture of Kritios Boy from Greece, ca. The Kouros statues dominate the Archaic period of Greek Art. Previous kouros stood with their weight evenly distributed but this guy rests his weight on one leg in a more natural position. It was found in the Acropolis and named after the sculptor thought to have rendered it. Kritian Boy, found on the Akropolis, Athens, marble, ca. The Doryphoros is a clear improvement in terms of technical details when compared to the Kritios Boy. Exekias, amphora showing Achilles and Ajax Playing Dice, terracotta, Archaic. 600 BCE. Material: Stone. h no facial expression. This period coincided with unprecedented threats to Greek culture. The difference between an archaic statue such as Kroisos (fig. The Kritios Boy’s standing pose represents a freedom in his … •Represented the god Apollo. Two different pieces, "Statue of a Kourus" comes from the Archaic period and the "Kritios Boy," also known as the "Kritian Boy," represents the Early Classical period of Ancient Grecian artistry and looking at each allows art scholars and historians to understand the differences in the two periods of Greek history. Indeed, in some respects the Kritios Boy and his followers are the kouroi of the fifth century BC. Peplophoros Kore statue . Term [image] Definition. Kouros sculptures were mainly created during the Archaic era, which was during the years of 700-480 BCE. Kritios Boy; Kritios; Classical (ca. Why did … Posiedon/ Zeus 450 BC 6 feet motion and action realistically shown olympic sport javelin inspired this piece viens and stress of muscles apparent assembled. They did not include any abnormal aspects to the sculpture. The Acropolis Museum, Athens: The Classical Period. Emotionless, impassive mouth. A sculpture from the Archaic period, which was more rigid and with a greater reliance on geometry. The classical period is thought to have begun with the sculpture known as “The Kritios Boy” in about 480 BC. Between 580BCE and 460BCE Greek sculpture evolved from Kouros, to Kritios Boy, to Riace Warriors and Doryphoros. Marble, 2´10˝ (86 cm) … Why did it precipitate an artistic golden age? Funerary mask, from Shaft Grave V, Grave Circle A, Mycenae, Greece. A generic young man. New York Kouros Emotion. 2 Pages. Dates: Archaic 600-480 BCE. Contrapposto was a Greek classical invention, first seen in a freestanding statue called the Kritios Boy (c. 480 b.c.e.). Kritos Boy Kritios Greece Early Classical 480-450 BCE Marble revolutionary Khafre Egypt The “Early Classical Period” (480/479 – 450 B.C.E., also known as the “Severe Style”) was a period of transition when some sculptural work displayed archaizing holdovers. In reliefs and pediments the activity of the figures invited sculptors immediately to apply their new anatomical knowledge, but there was no opportunity for such improvements in the kouros, unless its pose was altered. History+ < /a > Grave Stele of Hegeso or of something even simpler straight line facial. The kritios boy vs kouros of ‘ Agamemnon ’ century, some scholars attributed the sculpture of fifth... 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Roman copy - development of Kouros - intro to contrapposto - Archaic smile,,... Early, the Archaic era, which was more rigid and with a reliance...