07.12.2015, 12:27 Uhr "Das goldene Vlies" von Franz Grillparzer. Franz Grillparzer Inhalt: Der Gastfreund Die Argonauten Medea. In den "Argonauten" werden die Griechen mit dem Schiff Argo unter der Führung Jasons nach Kolchis geschickt, um das Goldene Vlies zurückzuholen, weshalb sich Jason in Medea verliebt. After obtaining his degree from the university in 1811, Franz became a private tutor for a noble family; then in 1813, he entered the civil service as a clerk at the Imperial and Royal Hofkammer (Exchequer) in Austria. [5] He was originally buried in the Währinger Cemetery in Vienna, now known as Schubertpark. He often said that the art of writing poetry can neither be taught nor learned, but he also held that inspiration will not visit a poet who neglects to make himself master of his subject. In den folgenden Versen schildert Medea ihrer Nebenbuhlerin Kreusa Iason als einen egoistischen Tatenmenschen und rücksichtslosen Individualisten, der sich zum Maß aller Dinge macht und sich über Grenzen hinwegsetzt. 136/D. Das Goldene Vlies war nach der griechischen Mythologie das Fell des goldenen Widders Chrysomeles, der fliegen und sprechen konnte.Es ist ein Bild für die ursprüngliche Reinheit des Astralleibs, die mit dem Einzug des Ich und dem damit verbundenen Egoismus verloren ging. Er tut nur Recht, doch Recht ist, was er will." The trilogy opens with a one-act prelude, Der Gastfreund, then depicts, in The Argonauts (Die Argonauten) Jason's adventures in his quest for the Fleece. Buch: Hergé Similar to Goethe's Torquato Tasso, Grillparzer dramatized the tragedy of poetic genius, showing how a poet must renounce earthly happiness to fulfill a higher mission. Some have suggested that this is a reflection of their multi-ethnic Austrian state. Das goldene Vlies, Blanka von Kastilien Das Vlies hielt ich mir vor als Schild. Die antiken Vorlagen dafür stellen das Argonautenepos des Apollonios Rhodios und die Medea des Euripides. "Du kennst ihn nicht, ich aber kenn ihn ganz. At the same time, the play displeased the court, and its presentation was stopped. The Mint Austria minted a 25 Schilling commemorative coin (bust picture) in 1964 and a 20 Schilling course coin (bust picture and Burgtheater ) in 1991 . Autor:Grillparzer, Franz. Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who was considered to be the leading Austrian dramatist of the 19th century, his plays were and are frequently performed at the famous Burgtheater in Vienna. Considerato il più grande scrittore della letteratura austriaca, il centro della sua opera è l'analisi delle condizioni dell'agire umano, o più esattamente della difficoltà di tuffarsi nel flusso dell'azione individuale e storica (sintomatica è la novella Der arme Spielmann, 1848). Der geile Sound des Krieges von Wolfgang Behrens Potsdam, 3. IASON und das goldene Vlies - eine Billigverfilmung ath. Its premiere on 6 March 1838 was a failure. In 1821, he unsuccessfully applied to the position of scribe at the Imperial Library, and later that same year, he was relocated to the Ministry of Finance. burg. Akt "Das goldene Vließ" von Franz Grillparzer - die AZ-Kritik Medea ist nicht willkommen: Anne Lenk adaptiert Grillparzers „Das Goldene Vlies“ fürs Flüchtlings-Heute im Residenztheater 07. Franz's father wished him to become a lawyer, and he entered the University of Vienna in 1807 as a student of jurisprudence. Und natürlich ist In dieser Zeit entstanden die kleine Gedichtsammlung „Tristia ex Ponto“ und nach der „Ahnfrau“ die Dramen „Sappho“ (1817), „Das goldene Vlies“ (1818/19), „König Ottokars Glück und Ende“ (1823), „Ein treuer Diener seines Herrn“ (1826), „Des Meeres und der Liebe Wellen“ (1829) und „Der Traum ein … fragt Jason einmal, und das ist noch untertrieben. 1848. Das goldene Vlies In 1838 Grillparzer produced his only comedy, Woe to him who lies (German: Weh dem, der lügt). Treuer Diener seines Herrn On the other hand, he gives evidence of careful and sympathetic study of Immanuel Kant. From 1807 to 1809, Grillparzer wrote a long tragedy in iambics, Blanca von Castilien, modeled on Schiller's Don Carlos. Medea behütet das goldene Vlies, für das ihr Vater König Aietes einst mordete. will er ein Weib, so holt er eine sich, For the opera by Walter Braunfels, see, This article incorporates text from a publication now in the, Learn how and when to remove this template message, "Franz Grillparzer A Century of Criticism", "Franz Grillparzer - one of the most contradictory poet personalities in Austria", Literary Encyclopedia: Grillparzer, Franz, Hans Jakob Christoffel von Grimmelshausen, Anthony Ulrich, Duke of Brunswick-Wolfenbüttel, https://en.wikipedia.org/w/index.php?title=Franz_Grillparzer&oldid=986472869, 19th-century Austrian dramatists and playwrights, Members of the Bavarian Maximilian Order for Science and Art, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles incorporating text from the 1911 Encyclopædia Britannica, Articles with unsourced statements from July 2020, Articles needing additional references from March 2017, All articles needing additional references, Articles incorporating a citation from the 1913 Catholic Encyclopedia with Wikisource reference, Wikipedia articles incorporating a citation from the Encyclopedia Americana with a Wikisource reference, Wikipedia articles incorporating a citation from the New International Encyclopedia, Articles with German-language sources (de), Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Des Meeres und der Liebe Wellen (Les Vagues de la mer et de l'amour), 1831 …trilogy Das Goldene Vlies (1821; The Golden Fleece) was interrupted by the suicide of Grillparzer’s mother and by illness. Medea, a tragedy of classic proportions, contains the culminating events of the story of Medea, which had been so often dramatized before. Das Goldene Vlies (La Toison d'or), 1819-1822, trilogie comprenant Der Gastfreund (L'Hôte), Die Argonauten (Les Argonautes) et Medea (Médée) Mélusina, (1822-1823), a été mis en musique par Conradin Kreutzer, «Opéra magique romantique» en 3 actes. Das goldene Vlies, König Ottokars Glück und Ende, Des Meeres und der Liebe Wellen, Weh dem, der lügt, Ein Bruderzwist im Hause Habsburg Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who is chiefly known for his dramas . [4], A second historical tragedy, A faithful Servant of his Lord (Ein treuer Diener seines Herrn [de]), 1826, performed 1828), attempted to illustrate a more heroic theme; but the subject of the superhuman self-effacement of Bancbanus before his lord Duke Otto of Meran proved too uncompromising an illustration of Kant's categorical imperative of duty to be palatable in the theatre. Although Grillparzer was essentially a dramatist, his lyric poetry is in the intensity of its personal note hardly inferior to Lenau's; and the bitterness of his later years found vent in biting and stinging epigrams that spared few of his greater contemporaries. was auch darüber bricht, was kümmert`s ihn! Franz Grillparzer Als Jason das goldene Vlies verlangt, stellt ihm Aietes zwei Aufgaben: erst muss Jason, zwei feuerschnaubende Stiere mit ehernen Hufen vor einen Pflug spannen und mit ihnen den Acker pflügen, anschließend soll er in die Furchen Drachenzähne säen und gegen die daraus entstehenden, eisengepanzerten Männer kämpfen. Laube staged productions of Grillparzer's forgotten works, and their success was immediate and profound. They brought him into conflict with the Austrian censor – a conflict that grated on Grillparzer's sensitive soul, and was aggravated by his own position as a servant of the state. Februar 2017. 1848. [4] It cannot be said that the materials of the play are welded into a compact whole, but the characters are vigorously conceived, and there is a fine dramatic contrast between the brilliant, restless, and unscrupulous Ottokar and the calm, upright, and ultimately triumphant Rudolph. Die Herkunft des Vlieses lässt Grillparzer in seiner Trilogie absichtsvoll im Dunklen. Waves of the Sea and of Love dramatizes the story of Hero and Leander, as a poetic love-tragedy with an insight into character motivation that predates the psychological dramas of Ibsen. 1818 Ich erbebte und schrie auf Zu den Göttern, die ich kenne. [4] Grillparzer provided the text for Schubert's 'Mirjams Siegesgesang' (Miriam's Song of Triumph), Op. Die vom Hof verwiesene Medea beauftragt die Amme, Kreusa ein Gefäß mit entflammbarem Inhalt zu bringen, um ihre Nebenbuhlerin zu beseitigen. Das goldene Vlies von Grillparzer, Franz und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf AbeBooks.de. Am Ende des Dramas bringt Medea einsam und verlassen das Goldene Vlies zum Heiligtum des Apollo nach Delphi. Jason überlebt den Sprung und flüchtet mit Medea auf das … All das enthält Franz Grillparzers Tragödie "Medea", der letzte und meistgespielte Teil seiner Trilogie "Das Goldene Vließ" von anno 1821. His mother, Anna Franziska, was a nervous, highly-strung woman,[4] daughter of Christoph Sonnleithner, sister to Joseph and Ignaz, aunt to Leopold. [1] He also wrote the oration for Ludwig van Beethoven's funeral. One important characteristic of the age is that aesthetic beauty and virtue are seen as inter-related. Jahrhundert des Florentiner Palazzo Pitti einen Bezug zwischen dem Goldenen Vlies und dem Lamm Gottes her. In his historical plays like König Ottokars Glück und Ende, he expresses the Enlightenment optimism that humankind can put its affairs in order and realize an age of peace an harmony. With an almost modern realism Grillparzer reproduced the medieval era, at the same time not losing sight of the needs of the theatre. Der Mythos von Medea und Jason ist eine der gewalttätigsten Liebesgeschichten des Welttheaters. Of modern literary critics, Gervinus was most repugnant to him, mainly because of the tendency of this writer to attribute moral aims to authors who created solely for art's sake. [5], It is characteristic of him that he expresses extreme dislike of Hegel's philosophy on the ground that its terms are unintelligible. Das goldene Vlies, ou La Toison d'or en français, est un drame en trois parties de Franz Grillparzer de l'année 1819. He was buried with an amount of ceremony that surpassed even the pomp displayed at Klopstock's funeral. FRANZ GRILLPARZER Dramatisches Gedicht in drei Teilen Die Zauberin Medea ist die Tochter von Aietes, König von Kolchis, der den Griechen als Barbar gilt. Nevertheless, he was plunged into an abyss of misery and despair to which his diary bears heart-rending witness; his sufferings found poetic expression in the cycle of poems called Tristia ex Ponto (1835).[4]. Die antiken Vorlagen dafür stellen das Argonautenepos des Apollonios Rhodios und die Medea des Euripides. In diesem Sinn verwendeten auch die Alchemisten das Symbol des Goldenen Vlieses. [4] Similarly to Sappho but on a larger scale, this trilogy is a tragedy of the heart's desire, the conflict of the simple happy life with that sinister power, be it genius or ambition, which upsets the equilibrium of life. Von 1821 an, als im Wiener Hofburgtheater die Trilogie Das Goldene Vlies (Wien 1819) mit Erfolg aufgeführt wurde, deren letzter Teil, die Tragödie Medea, rasch über alle deutschen Bühnen ging und durch die Heroinenrolle des Titels sich auf den Brettern behauptete, zählte Grillparzer etwa ein Jahrzehnt lang zu den begünstigten Dramatikern. Und alles andere nichts als Stoff zu Taten. Libussa spielt er mit seinem und der andern Glück. Il s'agit de l'œuvre la plus riche et variée de Grillparzer, inspirée des Argonautes antiques d'Apollonios de Rhodes et de Médée d'Euripide La première représentation eut … Its success led to the poet being classed for the best part of his life with playwrights like Müllner and Christoph Ernst von Houwald. Akt [5], Of a quiet contemplative nature, Grillparzer shunned general society. The asteroid 30933 was named Grillparzer in his honor. Stichwort:Grillparzer, Franz. Dramatisches Gedicht von Franz Grillparzer, 1819; Das goldene Vlies. Im ersten Teil des goldenen Vlieses, dem "Gastfreund", kommt der Grieche Phryxos auf Befehl Apollons mit dem goldenen … Franz Grillparzer was born in Vienna, Austria. Voll Selbstheit, nichts des Nutzens, nichts des Sinns, Das goldene Vlies (ursprüngliche Schreibweise: Das goldene Vließ) burg. His language and characters reflect the earlier sensibilities of neo-classicism, exhibited in plays like Sappho and Das goldene Vlies which treats the subject matter of Jason bringing Medea back to Greece. Aietes erhielt das wertvolle Goldene Vlies, hängte es im heiligen Hain des Gottes Ares auf und ließ es von einem riesigen Drachen bewachen, der niemals schlief. König Ottokars Glück und Ende [4] In 1817, the first performances of The Ancestress made Grillparzer famous. Franz Grillparzer, (born Jan. 15, 1791, Vienna [Austria]—died Jan. 21, 1872, Vienna), Austrian dramatist who wrote tragedies that were belatedly recognized as the greatest works of the Austrian stage.. Grillparzer’s father was a lawyer who died in debt in 1809; his markedly neurotic mother committed suicide 10 years later. Bruderzwist in Habsburg Denn Medea ist vieles: Königstochter und Barbarin, Mitleidige und Hexe, Liebende und Kindsmörderin. [4] Liberal critics accused Grillparzer of promoting servility. On his eightieth birthday, all classes from the court downwards united to do him honour; never, probably, did Vienna exert herself so much to prove her respect for a private citizen.[5]. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libussa, would only come after the period of Materialism had passed. In deren Hand das Vlies. 1817 Ein Herold aus Iolkos kommt an den Hof Kreons und erzählt ihm von den Greueltaten Jasons und Medeas und erteilt ihm den Befehl, die beiden vom Königshof zu vertreiben. He was exceedingly fond of travel, and at different times visited all the leading European countries. [5] It is a gruesome fate-tragedy in the trochaic measure of the Spanish drama, already made popular by Müllner's Schuld. [4], From early youth, Grillparzer displayed a strong literary impulse. In 1832, he became director of the archives at the Imperial Hofkammer, a position he held until his retirement in 1856. He rather maliciously says that Gervinus had one advantage and one disadvantage in writing his history of German literature – the advantage of common sense, the disadvantage of knowing nothing of his subject. Jason, der griechische Königssohn Jasons Geschichte beginnt in Griechenland, als Jasons Vater Aison, der König von Iolkos , von seinem Bruder Pelias vertrieben wird. Dort trifft Jason seine Jugendgeliebte Kreusa, die Tochter Kreons, wieder, welche die Kinder Jasons sehr herzlich aufnimmt, worauf Medea in Zorn entbrennt. The Austrian Post issued four occasions (1931, 1947, 1972 and 1991) special stamps with portraits of the writer. Together with Hebbel, he rates as the most influential dramatist of the mid-nineteenth century. Akt 1834 In these plays he deals with classical themes as well as subject matter. Comic von Carl Barks, 1955; Tim und Struppi und das Geheimnis um das goldene Vlies. This drama, with Medea’s assertion that life is not worth living, is the most pessimistic of his works and offers humanity … Das goldene Vließ. In seiner Trilogie „Das goldene Vließ“ hat Franz Grillparzer den Bogen weiter zu spannen versucht. 1825 To his own surprise, Grillparzer became the most popular author of the day; he was ranked with Goethe and Schiller, and lauded as the national poet of Austria. The Dream, a Life, Grillparzer's technical masterpiece, is in form perhaps even influenced by Spanish drama; it is also more of what Goethe called a confession. 1848 - Erstaufführung 1874 Der Fluch des Phryxos lastet nun schwer auf Aietes, dem Vater Medeas. Kreon erklärt sich zwar bereit, Jason und den beiden Kindern Zuflucht zu gewähren, will aber Medea Kreusa zuliebe wieder fortschicken. [4], To these troubles were added personal worries. In the tenth of the German language film series, After his death, a monument was erected in the. Entstehung über viele Jahre 1819 1830 When Grillparzer began to write, the German stage was dominated by the wild plays of Zacharias Werner, Adolf Müllner, and other authors of so-called "fate-tragedies." All das enthält Franz Grillparzers Tragödie "Medea", der letzte und meistgespielte Teil seiner Trilogie "Das Goldene Vließ" von anno 1821. Kolchis. Literatur im Volltext: Franz Grillparzer: Sämtliche Werke. [4] There is delicate art in the delineation of the mingled fascination and repulsion which Medea and Jason feel for each other, and when at last repulsion becomes the dominant force, Grillparzer gives splendid utterance to Medea's rage. 1833 He also produced the dramatic fragments Spartacus and Alfred der Grosse (1809).[4]. As a prose writer, he has left one powerful short story, Der arme Spielmann (1848), and a volume of critical studies on the Spanish drama, which shows how completely he had succeeded in identifying himself with the Spanish point of view. Die Ahnfrau Due to the identity-creating use of his works, especially after World War II, he was named as the national poet of Austria.[3]. Jason und Medea, die kolchische Königstochter. [5] The poetic influence of Lope de Vega and Pedro Calderón de la Barca is also evident. Der goldene Schnitt; Die Argonauten; Grillparzer, Franz; Das goldene Vlies; Gold; Grillparzer, Franz: Medea; Der Drache; Schiller, Friedrich - Die Räuber (Personenprofil Maximilian von Moor) Mongolische Eroberer: Die Goldene Horde; Kernkraftwerk (kurzes Handout für einen Vortrag) Grillparzer, Franz: Das goldene Fließ; Das Meerschweinchen; Wales - Poeta e drammaturgo (Vienna 1791 - ivi 1872). His portrait adorned the 100 Schilling banknote from 1954. „Medea“ ist das Kernstück der zwischen 1818 und 1821 entstandenen Trilogie „Das Goldene Vlies“ - ein dramatisches Gedicht, das als großes Liebesund Überlebensdrama entstanden ist, ein Theatertext von sprachlich seltener Schönheit, dessen Aktualität bis heute ungebrochen ist. For his historical tragedy King Ottokar's Fortune and End (German: König Ottokars Glück und Ende, written 1823, but owing to difficulties with the censor, not performed until February 19, 1825), Grillparzer dramatized the conflict of Ottokar II of Bohemia with Rudolph I of Germany. Grillparzer ‹ġrìlparzër›, Franz. ... Medea Stimmen Zusammenfassung - Duration: ... Franz Grillparzer - Das goldene Vlies - Duration: 5:13. Im Ehedrama "Medea" kommt der Argonautenführer Jason als Schutzflehender und Verbannter mit seiner Gattin Medea, den beiden Kindern und deren Amme auf der Flucht nach Korinth an den Hof König Kreons und bittet ihn um gastliche Aufnahme. In the winter of 1820/1821, Grillparzer had met and fallen in love with Katharina Fröhlich (1801–1879), but whether owing to a presentiment of mutual incompatibility, or merely owing to Grillparzer's conviction that life had no happiness in store for him, he shrank from marriage. Of these, The Jewess of Toledo (Die Jüdin von Toledo, written in 1851), an admirable adaptation from the Spanish, has won a permanent place in the German classical repertory; Ein Bruderzwist in Habsburg is a powerful historical tragedy and Libussa is perhaps the most mature, as it is certainly the deepest, of all Grillparzer's dramas; the latter two plays prove how much was lost by the poet's divorce from the theatre.[4]. It hardly deserved to be made the subject of so much contention, for it is one of the least powerful of Grillparzer's later dramas. Grillparzer followed this gothic drama with Sappho (1818), a drama of a very different type. In Franz Grillparzer. [5] At the end, Medea bears the fatal Fleece back to Delphi, while Jason is left to realize the futility of human striving and earthly happiness. ... Medea Stimmen Zusammenfassung - Duration: ... Franz Grillparzer - Das goldene Vlies - Duration: 5:13. Das Goldene Vlies ist – ähnlich wie das Nibelungengold oder der Gral des Mittelalters – ein Symbol: ein goldenes Widderfell, das in der Antike für Macht, Reichtum, gottgegebenes Herrschaftscharisma steht. [citation needed], Monument in the Volksgarten, Vienna, Austria. Die Herkunft des Vlieses lässt Grillparzer in seiner Trilogie absichtsvoll im Dunklen. Its general character is similar to that of Werner's dramas; it only differs from them in containing individual passages of much force and beauty. "Das goldene Vlies", Grillparzers umfangreichstes Werk, bildet zusammen mit dem Vorspiel "Der Gastfreund" und der Ehetragödie "Medea" eine Trilogie. [5] Because Ottokar is defeated, critics argue that this play represents another work in which Grillparzer preaches the futility of endeavour and the vanity of worldly greatness. IASON und das goldene Vlies - eine Billigverfilmung ath. Still, during this time, Grillparzer completed two of his greatest dramas, Waves of the Sea and of Love (German: Des Meeres und der Liebe Wellen, 1831) and The Dream, a Life (Der Traum ein Leben [de], 1834). Jugenddrama 1807-1809 942. „Das goldene Vließ“ im Burgtheater Premiere 23. Fortunately for him, his admirer Heinrich Laube became artistic director of Vienna's court theater in 1849. Band 1, München [1960–1965], S. 911-929.: 2. "Das goldene Vlies", Grillparzers umfangreichstes Werk, bildet zusammen mit dem Vorspiel "Der Gastfreund" und der Ehetragödie "Medea" eine Trilogie. In Linz and in St. Pölten, elementary schools are named after him. Band 1, München [1960–1965], S. 962-968.: 5. Grillparzer had little capacity for an official career and regarded his position merely as a means of independence. Die Trilogie "Das Goldene Vlies" zeichnet den Weg von der Humanität mit Delphi und Apollo als Symbol, über die Nationalität mit dem Gegensatz von Griechen- und Barbarentum zur Bestialität mit dem Kindermord Medeas nach. The end is bitter disillusionment; the only consolation renunciation. Jänner 2004. While most of his best plays originate in the age of Romanticism, his works could not be classified as Romantic. 1831 He now lies at Hietzing Cemetery. Grillparzer wird Hofdichter des Habsburger Kaiserhauses, mag allerdings die Karriere als Beamter nicht aufgeben und bleibt daher zeitlebens zwischen den Anforderungen des Staatsdiensts und denen der Dichtkunst hin- … Aus gut 20 Metern Höhe springt er mit dem Vlies von der Eiche, da der Drache bereits erwacht. Von 1821 an, als im Wiener Hofburgtheater die Trilogie Das Goldene Vlies (Wien 1819) mit Erfolg aufgeführt wurde, deren letzter Teil, die Tragödie Medea, rasch über alle deutschen Bühnen ging und durch die Heroinenrolle des Titels sich auf den Brettern behauptete, zählte Grillparzer etwa ein Jahrzehnt lang zu den begünstigten Dramatikern. Band 1, München [1960–1965], S. 911-929.: 2. However, the play ends on an upbeat note. Nur er ist da, er in der weiten Welt Grillparzer on old Austrian 100 Schilling note (1947). Sie betäubt den Drachen und Jason klettert auf die Eiche, in der das Vlies hängt. Melusina 1848 Oper von Luigi Cherubini, 1797; Das goldene Vlies. He never married. But Woe to him who lies, in spite of its humour of situation, its sparkling dialogue and its original premise — a hero who wins by invariably telling the truth, where his enemies invariably expect him to lie – was too strange to meet with approval in its day. "Wer bist du, doppeldeutiges Geschöpf?" Feldmaschall Radetzky Grillparzer's play The Ancestress (German: Die Ahnfrau), published in 1816, reflected this trend. Lockt`s ihn nach Ruhm, so schlägt er einen tot, Ultimately Rustan awakens from his nightmare to realize the truth of Grillparzer's own pessimistic belief that all earthly ambitions and aspirations are vanity; the only true happiness is contentment with one's lot and inner peace. Franz Grillparzer Inhalt: Der Gastfreund Die Argonauten Medea. Sappho Literatur im Volltext: Franz Grillparzer: Sämtliche Werke. The subject has never been more happily treated than in some passages, which, however, are marked rather by lyrical than dramatic qualities.

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