Common terms and phrases. On Dürer's death Baldung was sent a lock of his hair, which suggests a close friendship. 1484/85–1545 Strasbourg) Date: 1514. Throughout his lifetime, he developed a distinctive style, full of colour, expression and imagination. His most characteristic works in this area are small in scale and mostly in the medium of drawing; these include a series of puzzling, often erotic allegories and mythological works executed in quill pen and ink and white body color on primed paper. Limit to works with online images. [12], Baldung was the first artist to heavily incorporate witches and witchcraft into his artwork (his mentor Albrecht Dürer had sporadically included them but not as prominently as Baldung would). prints not for book illustration) are fewer than 100, though no two catalogues agree as to the exact number. Aller au contenu principal Augsburg.Google Scholar. Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. Cet article est extrait de l'ouvrage Larousse « Dictionnaire de la peinture ». Hans Baldung. Hans Baldung Grien ali Grün, nemški slikar, grafik, * 1484, † september 1545.. Baldung je bil nemški umetnik v slikarstvu in grafiki, najbolj nadarjen učenec Albrechta Dürerja.Razvil je prepoznaven slog, poln barv, izražanja in domišljije. Painting Lot Performance. [16], He is well known as a portrait painter, his works include historical pictures and portraits; among the latter may be named those of Maximilian I. and Charles V.[14] His bust of Margrave Philip in the Munich Gallery tells us that he was connected with the reigning family of Baden as early as 1514. 1484 ou 1485 – Naissance de Hans Baldung Grien, probablement à Schwäbisch Gmünd. Galerie d'images; 4. Like Dürer and Cranach, Baldung supported the Protestant Reformation. Aucun commentaire n'a été trouvé aux emplacements habituels. Limit to works on view. Strasbourg, Musée de l’œuvre Notre-Dame, Regards sur Hans Baldung Grien, exposition jusqu'au 8 mars 2020. Flesh is a mere glaze under which the features are indicated by lines. – Vier fachgerecht geschlossene Einrisse im Rand. Born 1484 / 1485 in Schwäbisch Gmünd Died 1545 in Strasbourg. These depictions were a large part of the artist's greater body of work containing several renowned pieces of the Virgin. Hans quickly picked up Dürer's influence and style, and they became friends: Baldung seems to have managed Dürer's workshop during the latter's second sojourn in Venice. Near the end of his Nuremberg years, Grien oversaw the production by Dürer of stained glass, woodcuts and engravings, and therefore developed an affinity for these media and for the Nuremberg master's handing of them. Hans Baldung a signé son retable à deux endroits différents. Baldung partook in this culture, producing not only many works depicting Strasbourg humanists and scenes from ancient art and literature, but what an earlier literature on the artist described as his satirical take on his depiction of witches. Crédits : … He worked mainly in woodcut, although he made six engravings, one very fine. Hans Baldung, dit Grien (en raison de sa prédilection pour la couleur verte), est un graveur, dessinateur, peintre et vitrailliste allemand de la Renaissance. Grand artiste de la Renaissance, Hans Baldung Grien fait l'objet d'une rétrospective exceptionnelle à Karlsruhe en Allemagne. index. Chicago and London.Google Scholar. His style became much more deliberately individual—a tendency art historians used to term "mannerist." Classification. 1534) Kunsthalle Karlsruhe Hans Baldung, genannt Grien, ist einer der bedeutendsten und eigenwilligsten Künstler der deutschen Renaissance. 13: 10 other sections not shown. Avis des internautes - Rédiger un commentaire. D'autres projets ; biographie. 13: 10 autres sections non affichées. Hans Baldung vécut au XVIe siècle, une époque de profonds bouleversements qui trouva un reflet dans son œuvre, réalisée principalement à Strasbourg. By contrast, throughout the early sixteenth century, humanism became very popular, and within this movement, Latin literature was valorized, particularly poetry and satire, some of which included views on witches that could be combined with witch lore massively accumulated in works such as the Malleus Maleficarum. Hans Baldung, les Sept Étapes de la vie d'une femme. "Il compte parmi les grands artistes du XVIe siècle germanique. The long, forceful contour lines and the shorter, curved hatchings that imbue the drawing with plasticity and depth bear witness to Baldung Grien’s skill as a draftsman. (22.4 × 15.9 cm) Classification: Prints. Peintre et graveur allemand (Gmünd 1484/1485 – Strasbourg 1545). Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1993. Baldung never worked directly with any Reformation leaders to spread religious ideals through his artwork, although living in fervently religious Strasbourg,[11] although he was a supporter of the movement, working on the high altar in the city of Münster, Germany. Another early work is a portrait of the emperor Maximilian, drawn in 1501 on a leaf of a sketch-book now in the print-room at Karlsruhe. "Baldung and the Witches of Freiburg: The Evidence of Images", "Washington and Yale. In addition to traditional religious subjects, Baldung was concerned during these years with the profane theme of the imminence of death and with scenes of sorcery and witchcraft. [10] On the other hand, through his family, Baldung stood as closer to the leading intellectuals of the day than any of his contemporaries, and could draw on a burgeoning literature on witchcraft, as well as on developing juridical and forensic strategies for witch-hunting. Hans Baldung, known as Hans Baldung Grien/Grün (c. 1484–1545) was a German Renaissance artist in painting and printmaking in woodcut.He was considered the most gifted student of Albrecht Dürer. Grien, Hans Baldung Source: The Oxford Dictionary of Art and Artists Author(s): Ian Chilvers Hans Baldung Grien German, 1484/1485 - 1545 Baldung, Hans Biography; Works of Art; Artist Bibliography; Related Content Filter results by: Works on View. Articles connexes; 5. His exact date of birth is unknown. He helped introduce supernatural and erotic themes into German art, although these were already amply present in Dürer's work. The number of Hans Baldung's religious works diminished with the Protestant Reformation, which generally repudiated church art as either wasteful or idolatrous. Hans Baldung Grien. We haven't found any reviews in the usual places. From inside the book . He became a celebrity of the town, and received many important commissions. 5: Section 2. Ausgezeichneter, kräftiger Abdruck mit dem Dürer-Monogramm und einem bis zu 5 mm breiten Rändchen um die Einfassungslinie. Hans quickly picked up Dürer's influence and style, and they became good friends: Baldung managed Dürer's workshop during the latter's second sojourn in Venice. Zapustil je ogromno del, portrete, lesoreze, oltarne slike, risbe, tapiserije, alegorije in mitološke motive. Phoebus-Verlag, 1950. He probably also got this nickname to distinguish him from at least two other Hanses in Dürer's shop, Hans Schäufelein and Hans Suess von Kulmbach. He perfected his art in Albrecht Dürer's studio in Nuremberg between 1503 and 1507. 1000 Fifth Avenue; New York, NY 10028; Phone: 212-535-7710; The Met Cloisters. Beginning in 1503, during the "Wanderjahre" ("Hiking years") required of artists of the time, Baldung became an assistant to Albrecht Dürer. Quelques dates dans la vie de Baldung. Hans Baldung, Gen. Grien (1484/85 Schwäbisch Gmünd - Straßburg 1545) Literature. In the field of painting, his Eve, the Serpent and Death (National Gallery of Canada) shows his strengths well. Sacré et profane. During his lifetime there were few witch trials, therefore, some believe Baldung's depictions of witchcraft to be based on folklore rather than the cultural beliefs of his time. 1504 – 1507; Saint Roch ca. Hans Baldung Grien (1484 env.-1545) : Les Trois Âges de la femme et la Mort.Triptyque, 198 cm X 147 cm chaque panneau. Recent Lots By Hans Baldung Grien. At a later period he had sittings with Margrave Christopher of Baden, Ottilia his wife, and all their children, and the picture containing these portraits is still in the gallery at Karlsruhe. Hans Baldung Grien's work depicting witches was produced in the first half of the 16th century, before witch hunting became a widespread cultural phenomenon in Europe. He later included the name "Grien" in his monogram, and it has also been suggested that the name came from, or consciously echoed, "grienhals", a German word for witch—one of his signature themes. Hans Baldung, genannt/aka Grien,(Schwäbisch-Gmünd 1484/85 - Strasburg 1545 Der behexte Stallknecht - The bewitched groom (ca. Il est né en 1484 ou 1485 à Schwäbisch Gmünd (anciennement Gmünd en Allemagne), ville libre d'Empire, en Souabe d'où son père était originaire [N 1] et est mort à Strasbourg en septembre 1545. In 1509, when Baldung's time in Nuremberg was complete, he moved back to Strasbourg and became a citizen there. Most of his hundreds of woodcuts were commissioned for books, as was usual at the time; his "single-leaf" woodcuts (i.e. 13 Works by Hans Baldung Grien. Artist performance. The following year he married Margarethe Herlin, a local merchant's daughter,[8] joined the guild "Zur Steltz",[3] opened a workshop, and began signing his works with the HGB monogram that he used for the rest of his career. At the age of 26, he married Margaretha Härlerin (née Herlin), with whom he had one child: Margarethe Baldungin. Though Baldung has been commonly called the Correggio of the north, his compositions are a curious medley of glaring and heterogeneous colours, in which pure black is contrasted with pale yellow, dirty grey, impure red and glowing green. Most famously, he depicted witches, also a local interest: Strasbourg's humanists studied witchcraft and its bishop was charged with finding and prosecuting witches. He started his apprenticeship when he was 15 years old, probably in the workshop of a Strasbourg master. 6: Section 3. Because of its high artistic quality, this work was long attributed to Dürer, and another hand designated it as such with the Dürer monogram. His talents were varied, and he produced a great and extensive variety of work including portraits, woodcuts, drawings, tapestries, altarpieces, stained glass, allegories and mythological motifs. Ver más ideas sobre Renacimiento, Grabadora laser, Brujería tradicional. Credit Line: Harris Brisbane Dick Fund, 1927. Hans Baldung Grien (1978) Manierismus im Spätwerk Hans Baldung Griens (1966) Hans Baldung Grien und Albrecht Dürer in Nürnberg (1963) [13], Throughout his life, Baldung painted numerous portraits, known for their sharp characterizations. Contents. What people are saying - Write a review. À l'intérieur du livre . Hans Baldung, also called Baldung-Grien, (born c. 1484, Schwäbisch Gmünd, Württemberg [Germany]—died 1545, Imperial Free City of Strasbourg [now Strasbourg,]), painter and graphic artist, one of the most outstanding figures in northern Renaissance art. [3] His uncle, Hieronymus Baldung, was a doctor in medicine, he had a son, Pius Hieronymus, that can be seen as Hans' cousin, who taught law at Freiburg, and became by 1527 chancellor of the Tyrol. Indeed, the influence of the master is visible, but the highly expressive gaze of the standard-bearer, his fear of death frozen into a memento mori, reveals that the drawing is very definitely a work by Baldung Grien. Hans Baldung Grien: Bucholzschnitte aus Augsburger Bestanden. Baldung's art simultaneously represents ideals presented in ancient Greek and Roman poetry, such as the pre-16th century notion that witches could control the weather, which Baldung is believed to have alluded to in his 1523 oil painting "Weather Witches", which showcases two attractive and naked witches in front of a stormy sky. 05-feb-2016 - Explora el tablero "Hans Baldung Grien" de Alberto Pleguezuelos Porcel, que 108 personas siguen en Pinterest. Bishop (Fragment from an Altarpiece) - Hans Baldung Grien Leslie Hindman Auctioneers, Chicago. Hans Baldung (1484 or 1485 – September 1545), also called Hans Baldung Grien, the "Grien" element being an early nickname after his preferred colour green, was a German artist in painting and printmaking who was considered the most gifted student of Albrecht Dürer. Gert von der Osten comments on this aspect of "Baldung [treating] his witches humorously, an attitude that reflects the dominant viewpoint of the humanists in Strasbourg at this time who viewed witchcraft as 'lustig,' a matter that was more amusing than serious". 1504 – 1507; The Nativity ca. Limit to works of classification: Nationality. Hans Baldung Grien (1485-1545), graveur, dessinateur, peintre et vitrailliste allemand. While Dürer rigorously details his models, Baldung's style differs by focusing more on the personality of the represented character, an abstract conception of the model's state of mind. This name is thought to have come foremost from a preference to the color green: he seems to have worn green clothing. Saint Sebastian bound to a Tree - Hans Baldung Grien Christie's Online. Saint James the Greater , from: Christ and the Apostles - Hans Baldung Grien Christie's Online. Instituts für Europaische Kulturgeschichte der Universitat Augsburg und der Staats-und Stadtbibliothek Augsburg, January-February, 1992. As a motif for the draft of the glass plane featured here, most likely meant to be a design bearing a coat of arms, he used the magnificently attired landsknechts, which King Maximilian I had assembled in the Imperial City for the campaign in the War of the Landshut Succession in 1504. [16], His works are notable for their individualistic departure from the Renaissance composure of his model, Dürer, for the wild and fantastic strength that some of them display, and for their remarkable themes. Artist or Maker. Hans Baldung. 0 Avis. Hans Baldung Grien", "The Witches of Dürer and Hans Baldung Grien", "Verzeichniss der Gemälde des Hans Baldung Gen. Grien Zusammengestellt", "Neues Jahrbuch - Heraldisch-Genealogische Gesellschaft "Adler, Prints & People: A Social History of Printed Pictures, Article: Sacred and Profane: Christian Imagery and Witchcraft in Prints by Hans Baldung Grien, by Stan Parchin, Hans Baldung in the "A World History of Art", Several of Baldung's witches and erotic prints, Art in the Protestant Reformation and Counter-Reformation, https://en.wikipedia.org/w/index.php?title=Hans_Baldung&oldid=996601857, Wikipedia articles incorporating a citation from EB9, Articles incorporating a citation from the 1913 Catholic Encyclopedia with Wikisource reference, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles incorporating text from the 1911 Encyclopædia Britannica, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Here, he may have been given his nickname "Grien". Section 1. Online Images. Section 1. Éléments de biographie. Painter, copperplate engraver, commercial artist (male), draughtsman and design draughtsman. In a later trip to the Netherlands in 1521 Dürer's account book records that he took with him and sold prints by Baldung. Hans Baldung Grien or Grün (c. 1484 – September 1545) was a German artist in painting and printmaking who was considered the most gifted student of Albrecht Dürer.Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. Baldung's most sustained effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power that Martin Schongauer bequeathed to the Swabian school. According to one view, Baldung's work did not represent widespread cultural beliefs at the time of creation but reflected largely individual choices. Immer wieder überrascht er durch originelle Interpretationen profaner wie sakraler Themen. Artist information: Even though he was descended from a family of scholars, Hans Baldung Grien did not attend university, but still managed to become a great German Renaissance painter. Hans Baldung was the son of Johann Baldung, an university-educated jurist, having since 1492 the office of legal adviser to the bishop of Strasbourg (Albert of Bavaria), and Margarethe Herlin, daughter of Arbogast Herlin, he was not propertyless, but with unknown occupation,[2] and his family living in this city, Hans made his apprenticeship there, with an artist remained unknown. They show little direct Italian influence. (22.1 × 15.4 cm) Sheet: 8 13/16 × 6 1/4 in. [4] His earliest training as an artist began around 1500 in the Upper Rhineland by an artist from Strasbourg. 1504 – 1507; Saint Sebastian ca. 1504 – 1507; Der auferstandene Christus ca. [2] In fact, Baldung was the first male in his family not to attend university, but was one of the first German artists to come from an academic family. Baldung was born and raised in Schwäbisch Gmünd (Swabian Gmuend), East Wuerttemberg. Catalogue de l'exposition présentée à la Staatliche Kunsthalle de Karlsruhe du 30 novembre 2019 au 9 mars 2020. After his first years of apprenticeship in Strasbourg, he was an assistant in that city from 1503 to 1507–08, mainly creating drafts, which is to say, designs for glass painting and woodcuts. Bil je vsestransko nadarjen. Exhibition catalogue, 5-8. Phoebus-Verlag, 1950. He was present at the diet of Augsburg in 1518, and one of his woodcuts represents Luther in quasi-saintly guise, under the protection of (or being inspired by) the Holy Spirit, which hovers over him in the shape of a dove. Bearing of the Cross ca. [10] However, the separation of a satirical tone from deadly serious vilifying intent proves difficult to maintain for Baldung as it is for many other artists, including his rough contemporary Hieronymus Bosch. Hans Baldung, also known as “Grien,” created the pen-and-ink drawing Standard-Bearer, dated in his own hand in 1504, shortly after he had entered the workshop of Albrecht Dürer in Nuremberg. The long, forceful contour lines and the shorter, curved hatchings that imbue the drawing with plasticity and depth bear witness to Baldung Grien’s skill as a draftsman. 6: Section 3. Throughout his lifetime, Baldung developed a distinctive style, full of color, expression and imagination. Hans Baldung Grien est un artiste mystérieux à la fois parce qu’il nous a laissé des œuvres ambivalentes et parce qu’on ne dispose que de rares documents écrits relatifs à sa vie.

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